Farsi seme
Viewers interested in modern Documentary cinema often explore Farsi seme because of its cast, story direction, and audience popularity.
“Farsi seme is silent. Silent like the plants that surround us. Silent like the seeds that I began to collect in places where I would go for a walk. Collecting blood, collecting seeds. The power of seeds represented the intersection of solidarity and singularity: it wasn’t only a no-longer-being-a-flower. There was a multiplicity of forms, a lushness, the intricate delicacy of their forms… I thought of translating venous and menstrual bloods into two different natural pigments, hematite and rubia tinctorum”. (Anna Marziano)
