Fans of films may find There is Nothing Left of the sea but its Sound especially interesting thanks to its engaging atmosphere, visual presentation, and entertainment value.
A reflection on the landscape and a dialogue with the welsh poet Dylan Thomas. Images are in-camera editing, three Super 8 cartridges of three minutes by chapter. All four chapters or ‘territories’ are dialectical connexions between sound and image, improvisation related to the image, and montage thought through the sound.